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Austrian actor and director Karl Markovics speaks about intuitive play, honest films and life after an Oscar
22 May, 2012   ▪   Inna Zavhorodnya
Ukraine’s State Agency for Cinema issued, with some restrictions, a distribution permit for the scandalous $10-million-budget Russian-Ukrainian film ‘The Match’ in April this year.
21 May, 2012   ▪   Oleh Slabospytsky
The success of a fundamentally non-commercial Kharkiv-based band proves the half-forgotten truth: true art does not necessarily depend on PR – even today
3 May, 2012   ▪   Maksym Solodovnyk
Yuri Vynnychuk talks about grasping the spirit of the time in the writing, passive intellectuals and the rule of the current government as purgatory for Ukraine
3 May, 2012   ▪   Iryna Troskot
The Ukrainian Week looks into ways to improve the organization of Ukrainian festivals
18 April, 2012   ▪   Olena Maksymenko
How can Ukrainian theatre be interesting to the rest of the world?
17 April, 2012   ▪   Nadia Yaremchuk
Austrian composer works on a symphony about Holodomor
30 March, 2012   ▪   Roman Horbyk
Ukrainian author’s detective story becomes a breakthrough hit at the Vilnius Book Fair
30 March, 2012   ▪   Olena Maksymenko
Thomas Wohlfahrt speaks about literary censorship, public poetry readings and the growth of poetry films fuelled by digital technology
30 March, 2012   ▪   Inna Zavhorodnya
Myroslav Dochynets has guessed the needs of the average reader
21 March, 2012   ▪   Oksana Shchur
Les Kurbas’ innovative approaches went against the canon of social realism, so he was first removed from a cultural milieu and then physically destroyed
20 March, 2012   ▪   Hanna Veselovska
Director Myroslav Slaboshpytskyi is working on “The Tribe”, a full-length film about those who can neither speak nor hear, where conversations can be seen rather than heard
15 March, 2012   ▪   Yaroslav Pidhora-Hviazdovskiy
Vadym Krasnookyi, Mad Heads XL band leader, talks about trends in music, concerts in small towns and the Ukrainian language as an element of national security
12 March, 2012   ▪   Bohdan Butkevych
Yevhen Malaniuk as the Ukrainian Freud
27 February, 2012   ▪   Volodymyr Panchenko
George Lucas talks about why he is bringing Star Wars back to the big screen
24 February, 2012   ▪   Elaine Lipworth
“Ursus,” a Ukrainian-Georgian-German co-production, is one of the biggest and most exciting film projects of 2012
23 February, 2012   ▪   Yaroslav Pidhora-Hviazdovskiy
Steven Spielberg talks about his new film
22 February, 2012   ▪   The Ukrainian Week
The debut single by the Ukrainian band Champagne Morning has climbed to the top of foreign music charts
20 February, 2012   ▪   Bohdan Butkevych
Régis Wargnier speaks about tunnel vision, exerting pressure and Ukraine at the crossroads
15 February, 2012   ▪   Olena Chekan
The Ukrainian Week launched the Cinema Project column 18 months ago to talk about Ukrainian films at different stages of production. It is time now to check in and see how they are doing
13 February, 2012   ▪   Yaroslav Pidhora-Hviazdovsky
Woodland art, a painting style introduced by Canadian artist Norval Morrisseau, a member of the Ojibwe tribe, has also taken root in Ukraine
2 February, 2012   ▪   Yulia Voitenko
The socio-cultural revolution of soviet mods against boring clothes, music and behaviour in the USSR
2 February, 2012   ▪   Oleksandr Pahiria
Taras Prokhasko speaks on the fundamental elements of being, models of an ideal Ukraine and his own writings
25 January, 2012   ▪   Iryna Troskot
Rooney Mara shares with the Ukrainian Week what difficulties she has faced playing Lisbeth Salander
10 January, 2012   ▪   The Ukrainian Week
Spend the holidays with Cossacks at the Mamayeva Sloboda open-air museum
23 December, 2011   ▪   Anna Korbut
Modern German-language drama is coming onto Kyiv theater stages. Foreign authors are largely looking to answer the question, “Who am I?” as they, sometimes provocatively, address the critical issue of identity – something Ukrainians themselves are grappling with
23 December, 2011   ▪   Inna Zavhorodnya
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Read more
What is needed for Ukraine to have a political force that is not linked to oligarchs
23 March, Ivan Halaichenko,
What might cause the “Russian Spring” to make a comeback in Ukraine and where might this happen?
23 March, Yuriy Lapayev,
What prevented Kremlin curators from realising the "Crimean scenario" in most regions of South-Eastern Ukraine?
23 March, Yuriy Lapayev,
How trading with ORDiLO became a handy loophole from paying taxes
17 March, Denys Kazanskyi,
 
 
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